- #Louis armstrong chronological classics rar password#
- #Louis armstrong chronological classics rar mp3 download#
Gabor’s first label, Continental, started up around 1942, issuing jazz and classical recordings on 78 rpm discs. His story and that of his labels can be found on the wonderfully researched Remington Records site. This is the only mention of the man who was behind Remington and Masterseal – Donald H. Buried deep in the article is a reference to the fact that some of the Masterseal material had been originally released on Don Gabor’s Continental Records. The label repertoire consisted largely of mediocre pop, a lot of classical music and a smattering of jazz. Not much was spent on the actual music though. Thousands of dollars went into the promotion budget. The article gives fascinating details of the huge promotion effort that was put into the label launch – ads, deejay spots, store displays, exclusive distribution deals signed with grocery chains in Chicago and Detroit, grocers wined and dined, and “incentives” for store managers. An article in the 16th February 1957 edition of Billboard announced the forthcoming launch of Masterseal LPs under the headline “Remington Records Bows Low-Price LP” followed by the sub-heading “New line, Masterseal, to go for $1.49 ambitious rack-jobbing used in Chicago.” Many such scenes of domestic dischord may well have been provoked by the impulse purchase of this LP on the ultra cheapo Masterseal label whose discs could be found on strategically placed racks in grocery stores everywhere. Voiceover: “And now a word from our sponsor, the Be Bop Wino Blog …” Junior (in despair): “Holy Mackerel! It’s like living in Nazi friggin’ Germany!” Mom (angry): Junior! Go straight up to your room! When your dad gets back from the advertising agency he’s going to give you the waterboarding you deserve!” Junior (crestfallen): “Holy friggin’ shit mom! Who the friggin’ frig is Hen friggin’ Gates? I want a Chuck Berry record, and I friggin’ want it now!” Lots of happy young people going to a rock and roll party!” Look at the nice picture on the cover, Junior. It says here that he’s a top exponent of rock and roll, so he must be good. It’s by a new young singer called Hen Gates. Mom: “You know I don’t know anything about those kind of people, dear. What did you get? Buddy? Elvis? Chuck Berry?” Junior: “Gee whillickers, Mom! That’s so nice of you. Mom: “Hi Junior, I’m home! I’ve picked up the groceries and I've got a little surprise for you, honey.
Mid afternoon in the long summer vac of 1957. Scene: a suburban home somewhere in the US of A. My thanks to an anonymous Stateside honk fan who very kindly sends occasional donations of LPs of a tenor saxual nature.
#Louis armstrong chronological classics rar mp3 download#
You can also purchase this collection as an mp3 download from Amazon.Īmazon also has a 45 track mp3 only collection available – “Rockin’ Wailin’ Saxophone.” Some of the titles on the collection are those used on the Hen Gates LPs. But at least it’s not masquerading as a "Hen Gates" rock and roll LP, and the link still works!Ĭlassics has an excellent CD, “The Chronological Freddie Mitchell 1949-1950," available. It’s a pretty trashed copy of a budget priced collection released after Derby had gone belly up and sold off its masters.
#Louis armstrong chronological classics rar password#
Password = greaseyspoonīaikinange has “That Boogie Beat”, an Allegro Royale cheapo LP of Freddie Mitchell tracks, here: Of course the difference may be explained by the need for Plymouth to use earlier tracks than the ones used by Masterseal in order to keep duplication to a minimum. “Cold Heat” and “Doby’s Boogie” also turned up on the “Let’s All Dance” LP under the titles “Great Gates Rock” and “Lose”, respectively.Ĭould I repeat my plea for information as to the origins of the other Hen Gates tracks on both albums? I actually have a nagging doubt about the origin of some of the “Let’s All Dance the Rock and Roll” tracks, mainly because they seem to be in a different style from the tracks used here. Track 11 “Bunny Rock” is “Cold Heat” (minus intro), recorded in 1952, originally released on Derby 793
Track 8 “Rockin’ and Rollin’ Hop” is “Madera Hop”, recorded in December 1951, originally released on Derby 807 Track 5 “The Creep” is “Doby’s Boogie”, recorded in 1949, originally released on Derby 713 Track 4 “Hold It” is “Hot Ice” (minus intro), recorded December 1951, originally released on Derby 777
Track 1, “Stop” is “Pony Express”, recorded 1950/51, originally released on Derby 725 I’ve managed to identify the origins of five of the tracks as follows:
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